©
theincompletenesstheorem:

Adam KremerFruit and Dye on Canvas, 2013
medisina:

nebulost:

diasporicdecay:

pocketostars:

ancientrelic:

humansofnewyork:

“After this I go to work at a pizza shop. My wife and I were college professors in Bangladesh. I taught accounting. But one dollar in America becomes eighty dollars when we send it back home.”

People forget, when immigrants come to this country they start from scratch. They could have been lawyers in their home country, but in the US..it means nothing. You think a HS diploma from Bangladesh means anything in this country? My mom was a top student in the country, went to all the best school and got the best of everything…but when she got here it meant squat and she was cleaning other people’s homes and scrubbing their toilets. This is why I get pissed of when people talk smack about immigrants. They at least are doing something…..heading for a goal..making sacrifices…what are you doing with your life? 

^ My parents were college-educated teachers in their home country and came to the U.S. with nothing but empty pockets, a dash of hope, and a belief in God. They also scrubbed toilets in people’s homes to make enough to provide for their children, and that’s probably not something a lot of educated professionals would be able to do. I know I wouldn’t be able to do it. Pride would get in the way.

THIS IS TOO IMPORTANT.

mom :(

Yes. Thank you Pop for everything you’ve done for us.

youmightfindyourself:

brightwalldarkroom:

Wes Anderson’s original, black & white, 13 minute version of Bottle Rocket.

Anderson’s short film, which he shot in 1992 and distributed two years later, was originally set to star ”real” and established actors but, due to budget issues, the main roles were given to co-screenwriter Owen Wilson and his brother Luke, neither of whom had ever appeared in a film before.

Things worked out okay.

Two years later, with help from early Anderson fan and supporter, James L. Brooks, Bottle Rocket was reworked, reshot, and released as Wes Anderson’s first feature film.

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Related: A Speculative Wes Anderson Filmography (2014-2065)

(via nickelcobalt)

cavetocanvas:

Tauba Auerbach, Ugaritic Alphabet, 2006

cavetocanvas:

Glenn Ligon, Hands (with detail), 1996

free-parking:

Harriet Lee-Merrion

Assuit, Egyptian.
slentando:

milla jovoich for jalouse; june, 1997